Synonymous with reality TV, Endemol’s 2015 production of Wild Island was set in a remote location off the coast of Central America. The German-produced series, supported by MoovIT production services, featured 14 ordinary citizens left to their own devices to survive on an uninhabited tropical island with no food or water for 28 days. With six cameras covering the action […]
EditShare media infrastructure eliminates content silos to bring continuity across media production workflow; Flow MAM, XStream EFS and Ark create tiered storage with extensive media sharing, production and automation capabilities
In this ‘Project Story’, we meet the folks at Nice Shoes Creative Studio and discover how mocha Pro has become an important tool in their workflow. In 2014, Nice Shoes, a New York-based coloring and finishing studio, added a team of creative directors, VFX artists and animators to form Nice Shoes Creative Studio. The expansion allows Nice Shoes to deliver […]
Imagineer has released mocha Pro 5.2 – a significant release with serious improvements, including added support for floating licenses, a new render license option (!), and even faster GPU planar tracking! New in mocha Pro 5.2 New Floating License Support: You can now run both the mocha Pro standalone and mocha Pro plug-in options off one floating license server. New […]
RedShark recently published an excellent 10-part tutorial series on editing with DaVinci Resolve, in collaboration with Darren Mostyn of Online Creative. This first instalment looks at: Setting up and importing media. Creating a new project An overview of the interface Different ways to import media Syncing audio and video
With ever-growing production demands and increasing amounts of media assets, every production needs a sophisticated media management toolset to aid the creative process. In this video EditShare highlight the key features of their Flow production asset management platform to streamline your editorial workflow including live feed and file ingest with metadata logging, transcoding to house formats, advanced browse and search capabilities, and integration with Apple, Adobe and Apple NLE’s.
EditShare’s XStream EFS SSD storage and Flow asset management tool set are used at the heart of many 4K/UHD post production workflows. In this video freelance colorist Warren Eagles shows the key benefits of Flow’s toolset when working with Adobe Premiere Pro CC and DaVinci Resolve.
SOURCE: RedShark News http://www.redsharknews.com/post/item/3869-5-reasons-why-you-need-asset-management-in-post We’re all living inside a giant media asset management system. It’s called the universe, and some remote parts of it run intelligent software called “Humans”. We somehow manage to keep track of a seemingly infinite mountain of assets. But we’re not very good at it. We forget things, and we definitely can’t keep track of every […]
Blackmagic Design announced that Paris post production company Film Factory, which has been working in professional film development and processing for more than 20 years, is now using the Blackmagic Design Cintel Film Scanner for both its dailies and final film scanning workflows. Full Story: https://cgnews.com/19953/film-factory-installs-cintel-film-scanner-for-dailies-and-film-scanning-workflows/
Helping make sense of difficult media workflow challenges
Complete suite of media management tools help manage ever increasing amount of production content
“It will be a race against time.” – The White Queen Software used : Autodesk Maya , Autodesk Flame , Arnold Renderer For Just Like Fire, signature song for Disney’s new film, Alice Through The Looking Glass, director Dave Meyers of Zanmi Films and Strange Invention’s VFX Supe, Todd Sarsfield, teamed with Nice Shoes Creative Studio to immerse pop star, […]
Colorist Alicia Wong shares her experience in grading TV Dramas for Singapore-based broadcaster, MediaCorp The majority of English and Mandarin television drama programs at MediaCorp are created by in-house production units. Post production is also done in-house by their Digital Arts team, which specializes in Broadcast Design, Motion Graphics, Computer Visual Effects and Compositing. 2… via Singapore TV Dramas Make […]
It’s a simple fact of life that organizations working in the broadcast space need a strategic approach to technology adoption. For post-production companies keeping a watchful eye on the constant evolution of acquisition formats and delivery standards, staying ahead of the curve can be quite… via Post Production for UHDTV – Is Your Facility Ready? — Facilis Technology
The DM240 is a power efficient, and color critical production monitor with industry leading fast mode processing, a durable all metal chassis, and direct integration with today’s most powerful color management tools – making the lightweight 13 pound DM240 a production environment workhorse and a fully functional on-set color management system.
Flanders Scientific received a 2016 CinecAward for the BoxIO Dual-Channel Color Management Device and DM series Color Critical Production Monitors at Cinec 2016 in Munich this week. “BoxIO and our DM series monitors were designed specifically to help address the challenges associated with on or near set color management and we could not be more thrilled than to have the […]