The Media Village
Post Production and Media Management
A look at how Deluxe is preparing for HDR and Dolby Vision, in an article from Studio Daily: http://www.studiodaily.com/2016/12/deluxe-talks-dolby-vision-daredevil-and-the-ins-and-outs-of-hdr/
“Yet HDR may very well be the most impactful addition to modern TV sets since they made the 1080p jump. Images are brighter and more colorful, yes—and in ways that are unmistakable to see even to the untrained eye.” There’s lots of talk about High Dynamic Range (HDR) and this article from Ars Technica gives a good overview of the technology: […]
All DM series Flanders Scientific monitors now feature 3 selectable HDR Preview modes. FSI CEO/GM Bram Desmet had this to say about these new capabilities: “Our aim with these new HDR monitoring modes was to allow users to leverage current technology for High Dynamic Range signal monitoring in production and quality control applications. While not intended for HDR mastering these […]
Synonymous with reality TV, Endemol’s 2015 production of Wild Island was set in a remote location off the coast of Central America. The German-produced series, supported by MoovIT production services, featured 14 ordinary citizens left to their own devices to survive on an uninhabited tropical island with no food or water for 28 days. With six cameras covering the action […]
EditShare media infrastructure eliminates content silos to bring continuity across media production workflow; Flow MAM, XStream EFS and Ark create tiered storage with extensive media sharing, production and automation capabilities
In this ‘Project Story’, we meet the folks at Nice Shoes Creative Studio and discover how mocha Pro has become an important tool in their workflow. In 2014, Nice Shoes, a New York-based coloring and finishing studio, added a team of creative directors, VFX artists and animators to form Nice Shoes Creative Studio. The expansion allows Nice Shoes to deliver […]
Imagineer has released mocha Pro 5.2 – a significant release with serious improvements, including added support for floating licenses, a new render license option (!), and even faster GPU planar tracking! New in mocha Pro 5.2 New Floating License Support: You can now run both the mocha Pro standalone and mocha Pro plug-in options off one floating license server. New […]
The newest full revision of Adobe Creative Cloud brings VR and HDR into Premiere and gives a glimpse into the future of social video creation. Some people wish they could have skipped 2016 altogether, soAdobe did, going straight from CC 2015 to CC 2017 with the newest revision of Creative Cloud, out this week. Many of the features were first […]
RedShark recently published an excellent 10-part tutorial series on editing with DaVinci Resolve, in collaboration with Darren Mostyn of Online Creative. This first instalment looks at: Setting up and importing media. Creating a new project An overview of the interface Different ways to import media Syncing audio and video
With a year into using DaVinci Resolve as a non-linear editor, Marco Solorio of OneRiver Media shares his thoughts and experiences along that journey. Is DaVinci Resolve truly a viable solution to use as an NLE? Read on. Source: OneRiver Media Blog http://www.onerivermedia.com/blog/editing-in-davinci-resolve-1-year-later/
Flow Story is the first in a new generation of content creation applications for collaborative and remote workflows.
Source: The Broadcast Bridge Metadata is fundamental for integrated workflows. As we rapidly move away from physical media, digital media has become less tangible. Quite simply if you can’t hold it in your hand, you’ll need metadata. Apart from physical media on, say, camera cards, once the content has entered the workflow, using metadata is the only way to move, […]
With ever-growing production demands and increasing amounts of media assets, every production needs a sophisticated media management toolset to aid the creative process. In this video EditShare highlight the key features of their Flow production asset management platform to streamline your editorial workflow including live feed and file ingest with metadata logging, transcoding to house formats, advanced browse and search capabilities, and integration with Apple, Adobe and Apple NLE’s.
EditShare’s XStream EFS SSD storage and Flow asset management tool set are used at the heart of many 4K/UHD post production workflows. In this video freelance colorist Warren Eagles shows the key benefits of Flow’s toolset when working with Adobe Premiere Pro CC and DaVinci Resolve.
SOURCE: RedShark News http://www.redsharknews.com/post/item/3869-5-reasons-why-you-need-asset-management-in-post We’re all living inside a giant media asset management system. It’s called the universe, and some remote parts of it run intelligent software called “Humans”. We somehow manage to keep track of a seemingly infinite mountain of assets. But we’re not very good at it. We forget things, and we definitely can’t keep track of every […]
Wolfcrow does a fantastic job stepping through the post production process for Cinema, from managing and organising files in storage, all the way through to deliverables and archiving. More details of each step of the process can be found here: http://wolfcrow.com/blog/what-are-the-stages-of-post-production-for-cinema/
The Media Village 